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To get a quick taste of the “blues buffet,” a one-bar example of an arpeggiated C major (notes C, E, and G) chord is shown below. My first book and my website have many examples of blues patterns to practice. The blues has been such a huge influence over popular music in this country, we all know most of these things in our heads already because we’ve heard them a gazillion times in music we’ve listened to over the years. This leads to a lot of fun imitating, exploring, and learning what combinations to play the notes in.
#Night changes piano chords full
For instance, beginners might like to play broken (or arpeggiated) chords with the left hand and full chords with the right hand, and more advanced players might prefer to keep a steady pattern with the left and practice improvising fills with the right, which is what the great boogie pianists, such as Tampa Red, Professor Longhair, and Dr. What’s more, the pattern works well for the left or right hands, as well as in combination. I affectionately call this the “blues buffet” because you can put any combination of chords, or patterns using the chord tones, in either or both hands and it will all come out “tasting” good on the same musical plate.Ī simple example of a blues riff might include playing the notes of each chord separately in your left hand in a repeating rhythmic pattern. Now that you know what the chords are, the way you can use them is endless.
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The chart below shows both the chords to play and the pattern to play them in. The blues chord progression lasts 12 bars (thus the phrase “12-bar blues”) that move in a familiar pattern using those three chords. (For the sake of brevity, I’ll only look at playing blues in the key of C). What a great way to amaze your friends and, most importantly, have hours of fun at the keyboard.Įssentially, the blues is a specific progression that uses the C7, F7, and G7 chords. That’s right, three! (Ahhh, so that’s why there are so many blues bands out there …) You talk about bang for your chord learning buck! Spend about 10 minutes learning three chords, and you will have learned the chords needed to play hundreds of tunes. In its simplest form, the blues has only three chords. & amp amp amp lt A HREF=” amp amp amp amp amp ServiceVersion=20070822& amp amp amp amp MarketPlace=US& amp amp amp amp ID=V20070822%2FUS%2Flearjazzstan-20%2F8014%2F42ae3537-4d24-460a-adae-e83268ef1fb3& amp amp amp amp Operation=NoScript”& amp amp amp gt Amazon.I’ve got some great news to let out of the bag for anyone dying to have some fun at a piano or keyboard right away. However, you could potentially also use the interlude at the end of each form OR at the end of each soloist (if they are taking multiple choruses). The play along has the interlude only after the first and last chorus. I like to play the interlude after the head at the beginning and end (using the break on the FMaj7 as a solo break the first time, and as the end of the tune after the last head). However, you can play around with the feel for instance, the LJS play along is all latin. The bridge is swung, the interlude is swung, and the solo sections are generally swung. It is most common to do the A section in a latin feel, with the last two bars of the A section in a swing feel. The tune is an AABA form with an interlude. Note: A Night in Tunisia can be done a number of different ways. It is a tune that every jazz musician must know. A Night in Tunisia is a VERY important jazz standard, and it has been recorded countless numbers of times. Jazz folklore has it that Dizzy Gillespie penned A Night in Tunisia, also known as Night in Tunisia, on the bottom of a garbage can, with Art Blakey present. A Night in Tunisia is a colorful tune written by arguably jazz music’s most colorful character-Dizzy Gillespie.